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A SAMUEL FRENCH, INC. TITLE
Full-Length Play, Drama / 2w, 2m, 2any gender (adult)
Monet Hurst-Mendoza
Bullfighting in Yucatán, Mexico is a world nearly exclusive to men – yet for Elena María Ramírez, it is her life’s ambition. A powerful play written by a stunning new voice in the American theatre, Torera tells a poignant story about becoming your truest self by proudly stepping into the ring.
ELENA MARÍA RAMÍREZ – 12-28. Free-spirited, confident, unusually perceptive. Dreams of becoming a famous bullfighter. A great torera.TANOK CÁRDENAS – 12-28. A privileged, charming, slightly arrogant smart-ass but sweet-natured. A great rejoneador.PASTORA RAMÍREZ – Early 40s-50s. Wise, loving, dutiful; mother to Elena, nanny and housekeeper to the Cárdenas family. Sharp and determined when needed.DON RAFAEL CÁRDENAS – Late 40s-50s. A great rejoneador-turned-trainer in retirement; a taskmaster, dripping with machismo. The type of older aristocratic man with a love of the game you’d see in an old Mexican film about caballeros. Doesn’t like to show emotion, but holds within him a suffocating vulnerability.
GROOMS / ENFERMERA / CUADRILLA TORERÉ / ENSEMBLEToreré in the bullring and stable helpers in the Picadero. The Enfermera can double with one of the Grooms. Open to all gender identities.
“Compelling drama... visceral and athletic.” – Houston Chronicle
“Torera is of course about bullfighting, but it’s about a lot of other things, too – privilege, chauvinism, the generational divide, and how much an intractable class system can distort the destinies of two people from (almost) the exact same place.” – Houston Chronicle
Torera – Alley Theatre Teaser
Torera – Behind the Projection Design at Alley Theatre
by Multiple Authors
Multiple Authors
by Marisela Treviño Orta
Marisela Treviño Orta
by Isaac Gómez
Isaac Gómez
by Hilary Bettis
Hilary Bettis